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View OriginalsFeatured Artwork
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New York Stock Exchange
Published 2003. Limited Edition Serigraph. Dimensions 26.5 x 30. Numbered 400 pieces. Signed and numbered by LeRoy Neiman.
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American Stock Exchange
Published 1986. Limited Edition Serigraph. Dimensions 31" x 38.25". Numbered 375 pieces. Signed and numbered by LeRoy Neiman.
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Diamond Head Hawaii
Published 1988. Limited Edition Serigraph. Dimensions 28x38. Numbered 375 pieces. Signed and numbered by LeRoy Neiman.
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PJ Clarke's
Published 1978. Limited Edition Serigraph. Dimensions 26.25 x 39.25. Numbered 300 pieces. Signed and numbered by LeRoy Neiman.
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La Cuisine Francaise
Published 1995. Limited Edition Serigraph. Dimensions 34.5x28. Numbered 250 pieces. Signed and numbered by LeRoy Neiman.
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Johnny Bench-The Catcher
Published 1989. Limited Edition Serigraph. Dimensions 38 x 19. Numbered 250 pieces. Signed and numbered by LeRoy Neiman.
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Silverdome Super Bowl, Super Bowl XVI
Published 1982. Limited Edition Serigraph. Dimensions 27.5 x 38.25. Numbered 300 pieces. Signed and numbered by LeRoy Neiman. Super Bowl XVI between the 49ers and Bengals.
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Steve McQueen
Published 2005. Limited Edition giclee on canvas. Hand Enhanced. Dimensions 41 x 27. There are 99 pieces signed and numbered by Stephen Holland
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Tiger Woods, The Shot
Published 2005. Limited Edition giclee on canvas. Hand Enhanced. Dimensions . There are 69 pieces signed and numbered by Stephen Holland & Tiger Woods. 44" x 28."
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Snoopy Dogg Wearing Jim Dine
Limited Edition, Seri-Giclee on Paper, 41" x 27 1/2", Limited to 50 numbered, 10 APs, 10 PPs, 5 HCs, Published 2018.
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Shorty Wearing Jim Dine
Limited Edition, Seri-Giclee on Paper, 41" x 27 1/2", Limited to 50 numbered, 10 APs, 10 PPs, 5 HCs, Published 2018.
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Playboy Club Suite
Playboy Club Suite, consists of two pieces: Playboy Club & Bunnies Playing Pool. limited edition serigraphs which are plate signed, Total edition size is 750 with 375 Suites hand signed by Neiman. Created 2009, Dimensions 27" x 18".
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All I Need is a Fast Machine (Steve McQueen)
Steve McQueen, Original Acrylic on Canvas, 24" x 36"
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How Sweet the Sound (Elvis Presley)
Elvis Presley, Original Acrylic on Canvas, 48" x 36".
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Moonscape 1: Terra Luna
Limited Edition Acrylic Schulpture, 22" x 16" x 9" High, 1998
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Original Study for Cider Barrel
Study for Cider Barrel, Charcoal and Pencil on Paper, 15" x 18", Created 1969.
Collotype created in 1979.
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Resting Tiger
Published 2008. Limited Edition Serigraph. Dimensions 25.25 x 38. Numbered 360 pieces. Signed and numbered by LeRoy Neiman.
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International Cuisine
1999 Serigraph. Image size 38" x 31". A limited edition of 450 numbered impressions; 90AP, 8PP, signed and numbered by Neiman.
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The Wine Goddess
The Wine Goddess, Oil on Canvas, 30 x 24, Created 1980.
LeRoy employed all of his famous techniques on this original work including layered paint color, brush and pallet knife.
The work was commissioned by Caesar's Palace and was on display in the hallway leading to their Poker Room. While at Caesar's, the work was under plexiglass (now removed) keeping it in immaculate condition while on public display.
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La Dolce Vita
Limited Edition Giclée on Canvas
Size 1: 36" x 24" - 125 Numbered, 10 Ap, 10 PP, $1,440.
Size 2: 42" x 28" - 75 Numbered, 10 AP 7 PP, $1,540
We've all heard about "the Sweet Life" - and now we know what it looks like! In "La Dolce Vita" you find yourself seated at a bistro table in front of a fanciful, wrought iron window with shimmering leaded glass. The scrolls of the ironwork are echoed in the Art Nouveau design on the label of the dessert wine. The bottles of port wine stand guard, awaiting their turn. If you were to open the window, only your imagination can envision the backdrop that will unfold behind the sweet treasures that await your palate: fresh berries under a blanket of powdered sugar, pastel petit fours elegantly presented under glass, and a delightful dollop of freshly whipped cream perched atop a generous slice of decadent deep dark chocolate cake. Is there anything sweeter than "La Dolce Vita"?
Featured wine: Dolce (Far Niente), Offley, Prager
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Original Tahitian Moon Dogg #7
10" x 10" Acrylic and Varnish on paper.
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Joe Namath
Joe Namath, Giclee on Canvas, 30" x 42", Numbered 1-69, Published 2016. Signed by Holland and Namath.
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Original Elephant Nocturne Oil
Elephant Nocturne, 1984 Original Oil on Board, 36 x 48.
Clearly one of Neiman's greatest works.
A limited edition serigraph was created from this beautiful oil entitled "Elephant Nocturne." Understandably, the edition sold out very quickly and became one of Neiman's best sellers. The Elephant Nocturne oil is one of the greatest works of Neiman's career.
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Original Joe Namath
Joe Namath, Original Oil on Board, 55 x 40, Signed by Namath
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Mariano Rivera
Rivera 2010 is a giclee on canvas measuring 44 x 22. The Edition Size 99 plus 25 Artist Proofs and 25 Printers Proofs. The edition was released as part of a three piece series including Jeter and ARod. Signed and numbered by Holland.
Very few signed by Rivera - Extremely limited!
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Lakers vs Magic
Lakers vs Magic, Pub 2009, 25" x 48", Giclee on Canvas, Edition Size 209, Signed by The Artists
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In the Evening
Published 1984. Limited Edition Bronze Sculpture. Dimensions 20" High. Numbered 300 pieces. Signed on the bottom.
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Original Gerry Cooney
LeRoy Neiman Original Drawing Gerry Cooney, 13.75 x 11, On Paper and framed with authenticated Cooney "cut signature", Framed Dimensions 17 x 25. Cut Signature is 3.25 x 5.25. Created 1979.
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Original Pensive Leopard
Original Pensive Leopard, Oil on Board, 18 x 14 unframed 26 x 22 framed, Created 2009.
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Original Lion and Lioness
Original Lion and Lioness, Oil on Canvas, Lion is 10" x 8", Lioness is 10" x 8", Framed 22.5" x 30" unframed, Created 2006.
A very popular limited edition of this work was released in 2007.
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Peyton Manning
Peyton Manning, by Stephen Holland, Published 2012, 18 unique pieces created with 3 Owners Proof, Dimensions are 26" x 39 1/2", Giclee on canvas with each piece uniquely remarked. All 21 pieces are signed by Peyton Manning.
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Homegirl Dreams - Peppermint Patty
Mixed-media (Giclee & silkscreen) on deckled-edge paper. Image size 42 x 28.5. Paper size 46 x 32.5. Numbered 295, 50 APs, 40 PPs, & 15 HCs. 75 Japan Proofs. Signed and numbered by Everhart. Influenced by Bridget Riley.
“Homie Dreams” is a collection of formal Peanuts portraits that are all about creativity and inspiration. Each of the Peanuts characters are in a state of drifting off to sleep. Tom has painted them in this dream state, as he feels this is when our minds at their most fluid and our greater creative selves take over. And we are open to inspiration. Each Character portrait represents a famous artist, who's works and lives have been some of Tom's most significant inspirations. And in some cases these were his friends as well. The technique of splatters and drops of color in the background is intended to look like the waters of Polynesia from above: A shout out to the place that is a constant source of creative inspiration in Tom's life, his home in Tahiti.
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Original Muhammad Ali, Folk Arts Theater Manila
Muhammad Ali, Folk Arts Theater Manila, Original Mixed Media Watercolor on Paper, Created in 1975, Signed by Neiman, Approximately 11 x 14 unframed. Additional inscriptions include: "Ali", "Folk Art Theater Manila", Sept 1975", "Punching Mexican Bag", "Pat Paterson security." This work is listed on page 188 of LeRoy Neiman's Book - Winners: My 30 years in sports.
LeRoy Neiman gives us a behind the scenes look before the legendary match up between Muhammad Ali and Joe Frazier. Here Ali is training just days before the match in which he defeats Frazier in the 15th round. One can see the power and athleticism of Ali as he conditions for the colossal bout.
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Original Floyd Little
Floyd Little, Oil on Board, 24" x 15.5" UF, Framed 31.5" x 22.5." Created circa 1972 as one of five pieces featuring the year of the running backs including, O.J. Simpson, Floyd Little, Larry Brown, Larry Csonka, and Leroy Kelly and were featured in the October issue of Sports Illustrated.
Floyd played 9 seasons with the Denver Broncos racking up 6323 rushing yards, 215 Receptions, 54 Career TDs, and 5 All-Star-Games. Floyd was inducted into the Hall of Fame in 2010.
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Flipped Out Series
In 2010 Tom Everhart produced a series of 100 original works titled "100 Flipped Outs." This body of work encompassed the idea that we all enter different circumstances in our lives in unique ways. Largely successful these ORIGINAL works of art are almost gone and more remarkable is their price point. The prices range from $4500 to $8500.
This is an incredible entry point into owning an original Tom Everhart, as some of is larger works have surpassed $250,000.
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Joplin
Joplin, Giclee on canvas, 40.5" x 26.5", Published 2006, Limited 99 numbered, 25 Artist Proofs, 25 Printers Proofs, Signed and Numbered by Sebatian Kruger.
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Sun Drenched Table
Sun Drenched Table, Off-Set Lithograph on Paper, 31 ½” x 35” (Paper Size), Signed and Numbered by LeRoy Neiman, 500 numbered, 100 Artist Proofs, 2009.
From the original originally created for Amuse Bouche, Napa Valley, LeRoy Neiman's "Sun Drenched Table" is one of his last works. Released as a very small edition, it was never offered nationally as most all the pieces went to the winery. We have a precious few of the artist proofs available.
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Tahitian Hipster Suite
Series of six prints sold individually and as match number suite. Paper Size: 8" x 10," Mixed media print on deckled edge paper, Edition 295 / AP 50 / PP 40 / HC 15
My studio in Venice faces out to a neighborhood involved in an evolution of rapid visual change. Accompanying this change is a new sense of contemporary commercial fashion and style supported on the street by the constant new flow of very styled ‘Hipsters’. From my studio, second floor balcony, the ‘Hipster’ person is new, different, and fun to watch. Although, to some of the original residents this new visual is met with some discomfort. Mostly, because it didn’t fit their idea about life ‘style’.
This new discomfort reminded me of a thinking about making art that most of my friends agreed upon when were all just starting as artist in New York in the early 1980’s. It was the sense that discomfort enables us to see forward and therefore discomfort was necessary in our art in order to create the new art of the future.
Most likely, we were uncomfortable, ourselves, with the art (conceptualism and minimalism) that came immediately before us and we mischievously set out to tease the end of its reign. Many were using racial, inequality and sexual themes, and even the retired art of portraiture as a vehicle for the discomfort. Since my body of work came out during a severe illness, I was very fortunate that my theme was based on historic humor.
It was absolutely Sparky’s drawing line constructions that first excited me and influenced the last 26 years of my work. But, it was also the sense that doing an entire body of work visually based on only one very successful cartoon’s imagery was brand-new work. And, that it would be uncomfortable with most art professionals because it didn’t necessarily fit their idea about museum painting. It may have been the undertow of my work.
The 30 ‘Tahitian Hipster’ paintings were produced in Tahiti on my dream-like open-air studio deck that sits 6 feet above a shallow lagoon 100 yards off shore. So the work had to be visually about the Tahitian Hipster.
The most obvious common denominator in Hipster style seems to be contemporary headwear. Of course there are many contemporary Tahitians, but Tahitian headwear is predominately deeply rooted in centuries of tradition and history. The materials and designs of this headwear are amongst the most beautiful works of art.
The only discomfort in the Tahitian studio is losing the paint (mixed with lagoon water) from the painting tool to the strong tradewinds as it makes its way to the surface of the paper. But, in looking forward, I discovered restaurant style squeeze bottles that apply the paint directly to the surface. This explains the almost island reptile-like surface on all the works produced on this heavyweight paper.
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Original Cross Country Skiers
Original signed ink/mixed media drawing on paper, Viewable: 6.5"x 12" Frame: 18.75"x 23.75,"
Actually created at the 1984 Yugoslavia Olympics.
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Original Marilyn and a Visitor
Original Mixed Media on Paper, 17" x 18" unframed.
LeRoy executed this original for publication. LeRoy had to cover up his signature in whiteout, and then signed again after publication. I assume this would have been on the inside of one of the Playboy magazines. Visitor may have been Joe DiMaggio.
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Venice Moon Dogg E Suite
Mixed media print on deckled edge paper, Paper: 28.5" x 21", Edition 35. Very Rare. Consists of 6 pieces all the same size. Signed and Numbered. May be purchased individually.
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Sergei Grigoriev, Boys
Sergei Grigoriev (1910-1988) Ukranian Artist, "Boys", Oil on Board, 1984, Viewable 19 1/8" x 25 1/2", Framed 27" x 33 1/4", Signed upper left in Cyrillic and dated.
Titled on the rear of the work, also in Cyrillic, "Boys" has a more familiar meaning as if they are his children or boys belonging to one's family.
Call for additional Images.
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Original The Race
Original The Race, Mixed Media on Paper, 9" x 12" unframed, 1958.
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Original The Leaning Colonnade
Original The Leaning Colonnade, Mixed Media on paper, 6" x 9", 2001, Signed by Neiman.
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Swiss Herb Bubble Bath
Swiss Herb Bubble Bath, Limited edition seri-giclee on deckled paper, 125 numbered, 20 Artist Proofs, 10 Printers Proofs and 10 HCs. Image 40" x 25.5", paper size 44" x 29.5', signed and numbered by Everhart.
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Original Joe Namath
Joe Namath, Original oil on board, 1968, approximately 27" x 22", 37" x 22" framed.
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Original Denver Grand Prix
Denver Grand Prix, Original Mixed Media on Paper, 12 1/2" x 15", 1990.
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Original Bowery Bum
The Bowery Bum, Original Oil on Board, 23.5" x 47", Framed 36"x 50", 1964.
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Original Defiant
Defiant, Mixed media on paper, 22.5" x 18.5", 1987.
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Original Rocky IV, Rocky Balboa's Right
Original Mixed Media on Paper, 13" x 15" unframed, 1985.
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Original Caesars Palace Grand Prix
Caesars Palace Grand Prix, Original Mixed Media on Racetrack map - Blueprint, 24" x 36 1/2", Circa early 80's.
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Original Le Suave Pilote
Le Suave Pilote, Original Graphite on Paper, 16" x 24", 1960
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Coup Sticks and War Paint
Coup Sticks and War Paint, Giclee on Canvas, Limited to 150, Dimensions: 28" x 26", Published 2009.
These two Northern Plains warriors have applied their war paint and are ready for whatever trouble comes their way. To count coup on an enemy was a great war honor. It meant touching the enemy with any object in the warrior's hand a bow, a rifle or a special stick usually adorned with at least one feather. It was called a coup stick and was carried for the express purpose of touching an enemy if he could get close enough. An accumulation of these war honors built a warrior's reputation among his people, gave him great stature and gained the admiration of the people in his camp. His prowess as a strong warrior also made him more desirable to the young maidens who might be looking for a suitable mate.
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Original Hialeah Racetrack in Florida
Original Mixed Media on Paper, 15" x 19" unframed, 29" x 33" framed, Created 1959.
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Original Jacques Cousteau Sea Blue Eyes
Original Mixed Media on Paper, 21" x 16", Created 1975. Signed by Jacues Cousteau.
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Original Merritt III
Original Painting, Oil on Canvas, Size: 26" x 20"
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Original Treasuring the Moment
Original Acrylic on Canvas, 30" x 40"
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Catfish Hunter
Catfish Hunter, Oil on Board, 7" x 5", Created 1975.
