Guarding the Lodge

Guarding the Lodge

Guarding the Lodge, Giclee on Paper, Limited to 85, Dimensions: 41" x 22", Published 2011.

"Let whoever may have attained so much as to have the power of drawing know that he holds a great treasure." Michelangelo,

There is a fundamental truth in art: learn to draw and the painting will follow. Drawing is the coordination of line, tone, perspective and proportion. It is the firm foundation on which a great painting rests. As a step in the creation of a painting itself, it is the part of the process by which the artist makes it clear to himself, not the spectator, what he is doing.

As finished art unto itself, Salvador Dali said, Drawing is the honesty of the art. There is no possibility of cheating. It is either good or bad. With "Guarding the Lodge," we see just how remarkable and powerful a drawing can be. The original is a mixed-media charcoal drawing on masonite. It was the 1998 Gold Medal Award Winner for Drawing and Other Media at the annual Cowboy Artist of America show. During that same event, Terpning collected the Gold Medal Award for Oil Painting for "Offerings to the Little People." To top off the evening of achievement, Howard took home the Artist Choice Award for Best in Show as well.

This Blackfoot warrior is placing his sacred medicine bundles on a tripod outside of his tipi. These sacred bundles were always hung behind the tipi, describes Terpning. In working on this composition, I felt that the tripod itself was such a strong design element that I wanted to make sure that it was prominent in the overall layout of the picture. The important thing was to make sure that the figure was clearly visible and that the viewer could see that he was attaching the bundle as he held the other items in his left arm.

As Michelangelo says, The power of drawing is a great treasure and "Guarding the Lodge" is an extraordinary treasure to possess. Reproduced on the finest archival watercolor paper, this Greenwich Workshop Fine Art Edition represents a distinct and impressionable aspect of the art of Howard Terpning. Order yours before this short-run edition disappears

Type Retail Web Price
$795.00 N/A Online

Please call Jim Atkinson at: 678-341-9801 for current pricing and availability.

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Terpning, Howard

MEET HOWARD TERPNING When Howard Terpning’s paintbrush touches the canvas, there is a profound commitment behind its spirit, a vital force that drives the originality of each painting with a heartfelt purpose. The compassion, strength, and vulnerability that radiates from the canvas is not only a testament to his skills, but a reflection of the artist, and the man himself. Terpning has become one of the most lauded painters of Western art today and is considered by many a national treasure. He is amongst the rare group of artists to see his work sell for over a million dollars in his lifetime. This is not only a rating of the mastery of his skills as an artist, but of his employment of them to allow the viewer to experience the deep respect for people and nature that drives his art. Born in Illinois and educated at the Chicago Academy of Fine Arts and the American Academy of Art, Terpning first gained attention through his advertising and editorial illustrations. His vision became the force behind such classic movie posters as “The Sound of Music”, “Dr. Zhivago”, and the 1967 re-issue of “Gone with the Wind”. Always a Marine, Terpning answered the call again, making combat patrols around Da Nang with a camera and sketch pad for the Corps in Vietnam during 1967, but his love of the West and Native American traditions fueled his transition to fine art. He has become known as the Storyteller of the Native American because of his devotion and respect for the Plains Indian. The late Fred A. Myers, director of the Gilcrease Museum, said of Terpning, “He is simply the best and best-known artist doing Western subjects at this point. He is among a very small group of painters of the West in the late 20th century whose art will still be hanging in museums and appreciated a hundred years from now.” His work has been exhibited around the world and collected in museums including the Autry National Center, the Phoenix Museum, and the Booth Western Art Museum, along with many of the most prestigious private collections today.

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